top of page

Escape From New York

Western Gorilla // Ollis Staten Island Ferry

2026

24"x18"

This is another attempt at Escape from New York that I made for the "Olive of Ashokan" book. The older one on white has deeper blue water, which was executed successfully, I think.

He shares 98% of his DNA with the people who trapped him. The 2% gap is what makes a man mistake abduction for rescue.

The logging roads cut like a scalpel through the canopy of his jungle home in the Congo. The hunters followed to feed the bushmeat trade. His jungle, like his kind, doesn't disappear all at once. It retreats, tree by tree, until one morning the edge is where the middle used to be.

That's where they captured him to be caged and put on display in Manhattan. The men with cameras and notebooks assumed they understood what they were dealing with. They were wrong about nearly everything. Again.

A silverback doesn't climb buildings and smash airplanes. He leads his kin, memorizes seasonal fruit trees, mediates disputes, protects his family at the cost of his own life. He reads a landscape the way generals read maps. Skyscrapers hold no interest. Neither do tiny women.

He's smart enough to know how this story ends. On the fourth night, he left. No broken bars. No drama. No map. No hesitation.

His 2% advantage gives him the instinct to know the way home, as a tree knows where the light is.

bottom of page